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Part Four:
Writing the Conclusion
Emiliano Figueroa
2003 BA English, Stanford University
Posted May 3rd 2003
Now that you've
reached the conclusion you're on the homestretch. The conclusion is
without a doubt the easiest part of your essay, assuming you've done
a good job on the rest of the essay. But that's no reason to relax
now. The most common mistake that a writer can make in the
conclusion is to relax and simply reword the introduction.
While it is true that you want to restate your
introductory paragraph to a degree, that's not necessarily enough.
If all you do is rearrange some words from your intro, you run the
risk of your essay reading stilted and flat. The essay will seem to
come to an abrupt stop.
So how can we avoid this? Before you can put the frosting
on your conclusion, you need to make sure the rest of the
ingredients are there. First and foremost, you need to restate your
thesis. As with the intro, you need to write it declaratively and
forcefully, as if it's a Newtonian Law.
You should also spend a sentence or so (or even more if
it's a longer paper) going over the major points of your essay.
However, the more you can avoid simply listing them, the smoother
your paper will flow. And this is where your transition into your
intro is important. By the end of your last body paragraph, you
should really be thinking about where you're going, and how you're
going to transition into your conclusion. In light of this, I
recommend not putting off your conclusion and writing it separately
at a later time. If you're in the "writing flow," you should keep
riding the wave of the your pen's momentum and go straight into the
conclusion.
Let's look at two separate examples again. This first one
will illustrate a more sophomoric conclusion, one that's not
necessarily bad, but one that's formulaic and stilted. In short, its
just the introduction in a different verbal dress. Do you remember
the sample paragraph from the "body paragraph" tutorial, in which it
talked about how cats never get lost, and the SPCA study that proved
it? Well, let's just say that the conclusion came immediately after
that. Here's what a less sophisticated paragraph would look like:
So as we have
seen, cats never get lost. They also are extremely hygienic.
They bathe themselves, and bury their own feces. Clearly then,
cats are smarter than dogs.
There's really nothing wrong
with this paragraph, except that it's enough to send an insomniac
the way of Rip Van Winkle. Translation: it's boring. Let's go after
these problems one by one. First of all, the transition is cliché
and forced. Avoid cliche transitions that begin with "As we have
seen," or "In conclusion." Also, the summation of the essay's major
points is artificial. And last, and most importantly, even though
the thesis is present, there's no sense of a grander implication.
In other words, nothing answers the reader's question "ok,
so cats are smarter than dogs ... so what? Why should I care?" The
way in which a conclusion differs from an introduction is in that it
leads the reader to a grander implication. It tells the reader WHY
the thesis matters, why it's important enough to write a paper to
support the thesis. So let's rewrite the paragraph above (and
remember, this follows the "cats have a better sense of direction
paragraph"):
The Alaskan SPCA
study is but a chapter in the line of evidence for feline
intelligence that could itself stretch from the Alaskan Pipeline
to the California redwoods. Whether traversing the tundra, or
combing their whiteish fur, cats show a level of independence
and self-determination that a mutt could never match. When it
comes to intelligence, dogs are simply outclassed by cats. A dog
may be a man's best friend, but a cat will never defecate on
your kitchen floor. Unless you want to do some heavy cleaning in
the future, pass up the dog and go with the cat.
Ok, so it's not
Shakespeare, but you get the point. Give your reader a reason to
care. Of course this becomes a bit more difficult if you yourself
don't care. Let's say you finished that paper about feminist
representations of knightly Slavic women of the dark ages. You
probably don't care yourself. At this point, no matter how horrible
it sounds, just BS it. Find some plausible reason for the value of
this literature, and go with it. Just pick a point and get to it.
If you've gotten this far and heeded all the suggestions,
make sure you do one last thing: SPELL CHECK!!!!! Don't ruin an
otherwise capable paper with undue sloppiness. Good luck, and good
writing!
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